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<BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><CENTER><FONT SIZE="+1">MEZ,
            <B>The Fairies </B>(Self-released, 2000)
            &nbsp;</FONT></CENTER></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE>

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<P>&nbsp;</P>

<BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><BLOCKQUOTE><CENTER><FONT SIZE="+1">When
                     the painted birds laugh in the shade, Where our
                     table with cherries and nuts is spread: Come
                     live, and be merry, and join with me, To sing
                     the sweet chorus of "Ha, ha, he!" -- William
                     Blake (in MEZ, "The King of the
                     Fairies")</FONT></CENTER></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE></BLOCKQUOTE>

<P>&nbsp;</P>

<P>Yes, I'm a sucker for interesting covers and titles. I saw this CD
and thought, "It's GOT to be good!" I was not disappointed. It's much
better than good. MEZ are Martinka J&aacute;nos on bass guitar,
P&eacute;ter J&aacute;nos on flute and whistle, Turz&oacute;
S&aacute;ndor on acoustic guitar, Kuklis Henrik on vocals and
percussion, Kosty&aacute;k Eld on cello and synthesizer, and Czesznak
Tam&aacute;s on drums.</P>

<P>The first track, "Lovebag", is an instrumental, and this band's
instrumentals are aggressive and convincing. Flute, whistle, and
percussion mix with sythesizer, cello, bass and guitar for pieces
that are emotionally moving, especially "The King of the Fairies,"
which they drove successfully home with a martial spirit and an
accompanying sense of the sadness that is the separation of the
unreal world from faerie.</P>

<P>MEZ's renditions of "Donegal Danny," "Morelo," and "The Rising of
the Moon," are tongue-in-cheek, along with traditional pub songs like
"Dicey Reilly", recalling a song I'd rather hear again... the Dead
Kennedys doing Rawhide on the album *Nazi Punks Fuck Off*. Though
they don't mention a history of punk influences on their Web site's
descriptions of the band's background, there's a slightly punk
bouquet about the album. Maybe it's that the MEZ's Kuklis Henrik and
The Dead Kennedys&#130; Jello Biafra share a slight vibrato tone. And
I know it's folk, but DK would have loved "As I Roved Out:"</P>

<PRE>And I wish the Queen would call home her army
From the West Indies, Amerikay and Spain
And every man to his wedded woman
In hopes that you and I will meet again.</PRE>

<P>Ya gotta like the bravura these guys are bringing too, in what
they do with an 11 minutes 20 second version of "The King of the
Fairies". When they play, they play boldly. As well, the Jethro Tull
influence is not surprising, since they've opened for Tull and cited
the experience as a watershed. This is like getting all new Tull
instrumentals hurled at you like a lightening storm with some
definite wizardry behind it. One finds this 9 minutes, 43 seconds
into the piece, building to a diabolical brilliance that Carl Orff
might have envied for "O Fortuna." The Tull influence shows up again
in "Fairy Dance."</P>

<P>The female vocals on Paddy's Farewell are nice, but the song is a
bit tedious. Much better is the stronger, more assertive
"Blacksmith". The force of this woman's gale will push you over
with:</P>

<PRE>No witness have I none
Save God Almighty
And may he reward you well
For the slighting of me</PRE>

<P>Even better, is "Fairy Dance." It starts out so downright
playfully Disney, seemingly so it can tease us to a transition at 2
minute 40 seconds that finds the listener at 3 minutes in the best
instrumental adventure of the album. "Fairy Dance" is an 8 minute
track that really shows MEZ's collective instrumental talent.
Production qualities, too, are superb. At 6 minutes 33 second into
"Fairy Dance" they're teasing and having fun again, being sure to
make the point of impressing us by track's end.</P>

<P>Be <B>absolutely sure</B> to "Taste the Fairy" before you're done.
You heard me. Taste it! You'll find yourself with the vocalist
saying, "mmm", "mmmmm", "mmmmmmmm". And then listen to everyone else
on this track tasting it, complete with glasses clinking, toasts, one
case of throwing up, and songs of good cheer within this song of good
cheer. I plan to taste the fairy again right after I finish the
review. Anyway, vocal processing on this track is superb, and is more
of the creative genius one finds in "The King of the Fairies" and
"Fairy Dance". It starts out haunting, truly haunting, and ends in
fun.</P>

<P>The last track is called, appropriately, "After'... though it's
not really 'after', it's still 'within' the CD. Hey, what are you
guys trying to pull?!? We try to get out... they just keep pulling us
back in!</P>

<P>Anyway, there are enough good songs on this disc to showcase the
talent of this Hungarian Celtic group. Get the CD, and someone please
get these guys on tour in my neck of the world. You'll have fun,
you'll be moved, you'll be impressed, and you'll get to taste the
fairy. What else could you want?</P>

<P ALIGN=right>&#91;<A HREF="bio/asher.black.htm"><B>Asher Black</B></A>&#93;</P>

<P>&nbsp;</P>

<BLOCKQUOTE><CENTER><FONT SIZE="+1">MEZ's web site is
   </FONT><A HREF="http://www.mez.hu"><FONT SIZE="+1"><B>here</B></FONT></A><FONT SIZE="+1">.
   In fact, this CD can be heard in its entirety there. <BR>
   But buy a copy as a gift for any fairy-lovin'
   friends.</FONT></CENTER></BLOCKQUOTE>

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