Feb
7
2010

Anarcast #1: To Hell with the RIAA

The Playful Anarchist podcast, with Asher Black (Anarcast #1, AsherCast #1). When you can’t go along, you go around. – Asher Black. Music: by Beth Quist on the Magnatune label. Opinions: solely those of Asher Black.

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Feb
7
2010

Constructs

The Art of Building

A construct is a constructed space. For example, any building is a construct.

Buildings are built on certain dimensions, defined by a certain architecture, and consist of certain rules, which are the basic mathematics of their existence.

Some constructs are merely physical places. Others are any combination of physical, temporal, virtual, intellectual, emotional, volitional, social, personal, consensual, mythic, literary, and artistic places.

The Tavern, for instance, is obviously a virtual space, since it exists here on the web. It is also a social space, since it exists in certain social interactions, some of which are virtual and some of which are not. Written in a story or painting, it might also be an artistic space, involving an interaction between artist, art, and audience. It might, at the same time, if an actual building were purchased for it (e.g. The Office), be a physical space. It is, however, already physical in that you can find it physically on the web, or see it in physical interactions, or find it in physical art, or find it contained within a person.

A construct is a consensual reality, requiring one or more persons to create or identify it. Constructs, then, are necessarily personal.

Constructs are given reality by their builders; they are created by the decision to build and treat them as real. They have the same kinds of impact upon persons as any other reality. They affect the mind, will, emotions, and body, just as the local coffee shop might. Constructs, then, are the intersection of what is commonly called reality and what is usually called perception. Again, they have the same kinds of effects (and usually some additional ones) on a person as anything else they take as real.

Feb
7
2010

Asher’s Eighth Maxim

Asher’s Eighth Maxim: The reason idiots get away with being idiots is that they’re more intelligent than the average person.

Look carefully whenever the ‘common person’ is exalted and raised up; it is not a common person at all, but a lord of the common people.

Feb
7
2010

Asher’s Seventh Maxim

Asher’s Seventh Maxim: We’re all naked.

    Asher writes: At any given moment, we are communicating in scores of languages. Our posture, gestures, myriad little movements, dilations, tone, cadence, pauses, breaths, pulse at the side of the neck, pallors, pheromones, and more that can be observed through the various senses, from goosebumps to bodily oils, are speaking volumes. Even our pretenses reveal what we want others to believe. We cannot hide, except from those who cannot see, and each reaction against this knowledge reveals still more. We are nude, down to the soul which, despite all our philosophies to the contrary, is still integral to the body. The moment that we stop collaborating in the pretense that we are each covered up, clothed, protected, safe, we can begin to realize what it means to live in community with others. Each of us desires, irrefutably, to be known. To do so, we must allow the social walls that occupy even our most intimate relationships to crumble. We must look for the friend who will, on his own initiative, break down the first one in spite of us, and without welcome. We must keep watch on these walls, since they are walls of the thinnest sort, with the obvious singular purpose of being breached. Each barrier is a confessions of our desires to be penetrated, entered, overcome, known, connected, vulnerable, revealed. The emperor has no clothes. The edenic attempt to snatch a fig leaf and cover ourselves is futile. When you look and see, you realize you are no longer safe, and can finally rejoice. Ender says that it is impossible to truly known someone and fail to love them. Finally, then, we can stop guarding that secret desire — to be wanted.
Feb
7
2010

Asher’s Sixth Maxim

Asher’s Sixth Maxim: Pretty women always drive nicer cars.

Feb
7
2010

Asher’s Fifth Maxim

Asher’s Fifth Maxim: If it’s worth doing, it’s worth doing as work.

Feb
7
2010

Asher’s Fourth Maxim

Asher’s Fourth Maxim: The twin vices of the writer are the intention to change the world and the desire to be known.

Asher calls them vices, not because they are immoral, but because they do not submit to moral judgement.

Feb
7
2010

Asher’s Third Maxim

Asher’s Third Maxim: Anything can be a story.

Feb
7
2010

Asher’s Second Maxim

Asher’s Second Maxim: Everything is sexual. Making love is the ultimate metaphor.

Feb
7
2010

Asher’s First Maxim

Asher’s First Maxim: The secret to being right all the time is: When you discover you’re wrong, change your mind. [This maxim hangs over the entrance to the Arena.]

Feb
7
2010

Fan Products

hatCreated by devoted Asherians: