Wintersweet

(This would have been written, I’m guessing, around 2001-2002.)

Come numb my lips

Hot mouth at the tips

Wet frost lost cost

Drink my tongue

Hum thrum

Press your breath

To my flesh

Brush blush

Then caress

To my breast

Squeeze test

Do your best

Taste haste

Slide your hand

Down my waist

To my knees

Please tease

And at last

To my feet

While the heat

Sweet treat

Lies undressed

On the bed

Until dead

In the head

Deep sleep

Winter sweet

The Slams

The Slams by Asher Black

The yellow sign lit the distance from the alley, buzzing with reassuring warmth. It was a pretty thing, solid as a superhero’s emblem, inviting as ketchup drizzled fries. I wrapped my arms close, cursing inwardly that I hadn’t brought a jacket this trip. The alien at the register went through the time-honored ritual: How many? Smoking or non? (I waved my pipe), a silverwear roll, a laminated menu, Your waitress is Rhonda. She’ll be right with you. It was the missionary church of 24-hour table service, the saintly soup-kitchen of insomnia, and Communion was served up in a steaming stonewear mug with a pile of little creamers. Offeratory to follow in the form of a solemn thermal-printed ticket, when I intoned “just coffee”.

I sat picking out constellations in the little brown flecks on the mug, a satisfying cloud of smoke curling around my beard, and haloing my head in a funnel formation. The regulars would start oozing in, little by little, over the next hour. The time is different at each diner. A well-guarded secret, though it’s always at night. I checked my watch, looked at the numerals on the inside of the matchbook as I lit another pipe, tore off the cover, and set it flaming in the ash tray. Notes from other people’s conversations are best not left lying around. I looked out the window at the yellow sign. Always the same diner, though, regardless of the city.

Rhonda refilled my coffee. Middle-aged, stout, glasses, still-blonde hair held back with a knit scrunchy. Black apron tucked under the bulge of her belly. Full of straws. Human, this one. There’s no particular way to tell. Once you get used to the idea of them – the aliens, I mean – you just start to know the difference.

The clientelle are the easiest to spot, of course. Six nights out of seven they show up… which six, again, a ‘well-guarded secret’… How hard is that? The secret was how they talk. I was hoping I had a winning night when Benny sat down at the counter. I knew his name because everyone else did. “Hi, Benny.” Rhonda didn’t bother with a menu. Benny had coffee, no cream, a clean ashtray and a cracker caddy. He looked kind of like Popeye would without a recent haircut or shave. Benny dumped out a foil bag of shag tobacco onto the counter and rolled a cigarette from it, licking it sloppily. Definitely not of this Earth.

I watched Benny through the smoke, under the glare of unfiltered lights, over my third refill, careful not to let him catch me looking. If we locked eyes, he would wonder how a Normal (as they call us) knew how to make conversation. The aliens can speak with their eyes, and I tend to blubber in any language. Even if I wanted to talk, I’ve only practiced in the mirrors of bathrooms and the rearview of the Chevy. Still not quite used to the listening part, either. It’s particularly difficult when they’re speaking in both ways at once… words and eyes, always on two different subjects. I need about a pot of coffee in me just to keep up.

Sure enough, over the next hour, the smoking section filled up with ‘them’. Normals would finish their meals, pay their checks, and the booth would be occupied by an entirely different kind of customer. Slams. That’s what they call themselves in eyespeak. Normals and Slams. Life is pretty much divided in two for me these days. I quit school, gave up my shitty job, moved into my ’54 woodside station wagon, and started visiting these diners, one town after another. Left the car down the street. I don’t want to risk it being recognized, now that I know they travel.

“Yes please.” Rhonda poured me another cup. I reached into my college knapsack, found and propped Chomsky up on the table, covering my observation in the usual way, by pretending to read.

On the surface, they’re a diverse bunch. A scattering of long hair, short hair, wavy hair, some with pimples, some without, anything from  jeans and an Andy Griffith shirt to all black clothing and tattooes to body piercings and neon-dyed hair. But they are all interested in the same things. The Slams like anything with monsters, especially books and games. The more outrageous, the better. Card games with dragons and wizards, role playing games with vampires, serials by RA Salvatore… the otherworldly is their playground.

They are also addicted to coffee. This is what keeps them here. Or so I gather. Some time back, a Western farmer spotted a weather balloon falling from the sky. Or so he was later convinced. A search of the surrounding countryside produced nothing. No one payed any attention to the stranger at the counter of a certain diner in the nearest town. Out of towners always stopped there, at any hour, looking like anything, delirious from the road. He ordered a cup of coffee, picked up a forgotten fantasy novella left by a teenager who’d been rushed into the family motor home and back out onto the interstate, and the skies have been busy ever since.

The smoking section was brim full, smoking like a chimney, and louder than a factory floor.

“I’m telling you, Sabbat rules! If you’re going to be undead, it’s worth it to go Sabbat.”

“Dude, listen, the third book in the Beltherium trilogy totally blows away the Asmodium trilogy.”

“To Hell with your energy attack. You smoke this card, and you eat your energy attack!”

This banter was nothing compared to the eyespeak. I felt like socking the Slam at the booth across from mine. Short red curly hair, a tatoo, big lips, and two cases of cards in front of him. He was being an ass and using the foulest language in a public place, eyespeak or not. He was asking to get bruised. I pretended to read my book.

“What are you doing?” The waitress heard nothing, except for some boisterous chatter about a 13th level mage. She finished pouring my sixth cup of coffee and went off to start another pot. The Slams kept the brewing constant, except for one or two that were experimenting with Dr. Pepper and pretending to like it. Pretentious dilettantes. “I said, what are you doing?”

I tried looking at my ashtray, but the entire booth had turned and were staring at me. I looked up.

“You know I’m talking to you. I saw you reading our eyes. Now answer me, Normal!”

“I… uh…” Then I realized I was eye babbling. I shut up then. Stupid. I’m so stupid.

“Well?” This time it was the girl, not the foul-mouth. Slightly purple hair, pierced lip, black choker. “I think you’d better tell us how you learned to do that.”

I started to speak aloud. “I just sort of picked it up–”

“Eyespeak, moron.” It was Foulmouth, again.

I couldn’t think about socking him, now. I felt like a cornered animal. You know that movie… you’re having a drink in a bar and at midnight everyone turns into a bloodthirsty vampire, and they’re all looking at you as dinner? Like that. I shrugged. “I dunno. Back home I used read a lot at night, for school, and drink a lot of coffee to keep me awake…”

They all kind of “Mm”-ed in understanding. That’s when I realized that despite the ongoing talk of warlocks and demons, all eyes in the vicinity were upon me (except for Rhonda’s), and coffee was being refilled faster than ever.

“Same diner, back home, you know. And… well… I… I guess I was bored, and I started paying attention. I’m a linguistics major. Well, I was. Language development, and all that. I was reading Chomsky… you know, our capacity to recognize syntax, nonverbal communication, and-”

“Blow that!” It was a burly chain-wearing Slam with long black hair and Native American features. He was mouth criticizing the 3rd edition rules of D&D while addressing me with his eyes. It was a strain to pay attention to one and ignore the other. I took another shaky sip of coffee. “Don’t you read real books?” he asked. He was holding up something called “Icewind” and gesturing contempuously at my linguistics text.

“Shut your cornhole, dill weed.” Foulmouth again. Debating the merits of the original Dungeon and Dragons, he eyespoke “I don’t give a rat’s ass what he reads. He’s a Normal.” He was really starting to piss me off, scared as I was. “You. Abnormal. Finish what you were saying.”

My reply was stiff. “I observed. I payed attention. Or didn’t you see what I said the first time?”

His face darkened. “So you learned how to eyespeak. How did you know the time? How did you know the time that we meet here?”

No harm in telling him. “It wasn’t hard. I oversaw one of you talking about visiting friends. He said where and when. I’ve been a little of everywhere. The time’s not important. If you wait long enough, late enough, you guys show up eventually. It’s not rocket science.”

The girl laughed. Foulmouth wasn’t pleased at that remark for some reason of his own. I thought of weather balloons.

There was silence. The mouth speak continued. But the eyes were silent. It seemed to go on interminably. I couldn’t make my hands stop shaking. I tried to load a pipe. I knew that I was either in for serious trouble or else about to be initiated into the deeper, hopefully pleasant mysteries of Slam life on earth. I managed to actually get a bowl badly lit and squeeze out a few puffs. That helped to steady my hands, and I took another sip of coffee. It wouldn’t do to misunderstand anything they might say next.

That’s when I noticed that a few hands were blocking my view of eyes here and there. A few quick words. Brief, careful answers. Some message was spreading quickly from face to face. I couldn’t catch a glimpse. It was too brief to be a debate, an argument. There seemed to be a fast growing consensus. A short, clear signal of what to do next. I saw an unpleasant grin appear on Foulmoth’s giant lips. If they had intended to welcome me as one of their own, or at least as a friend, it wouldn’t be like this. My hands were trembling again, so the mug in my hand was shaking when Rhonda approached to refill my coffee. That’s when I knew what I had to do.

She smiled. “A warm up?”

I nodded. She poured, and that’s when I tipped over the mug.

“Oh! Did it burn you?”

“No, no! I’ll clean it up though!” I was sliding out of the booth.

“That’s all right, honey, I’ll get it-”

“No, really! It’s my spill. Let me get some napkins off the counter!” I made her stagger with the pot as I pushed past her, and she spilled more coffee, right onto Foulmouth. I couldn’t have asked for a better break. Foulmouth was trying to stand and only succeeded in getting burned worse as he knocked the pot from the waitress’ hand, and she tumbled squealing into the aisle. I was already past the counter and throwing open the glass door, leaving Chomsky still propped in my booth with a smouldering pipe, an unpaid bill (I’ve regretted this ever since), and a mess of spilled java.

They chased me for a while, but either they’re congenitally slow of foot or else I’m in better shape than I thought. The wagon was two blocks away, but I didn’t run right for it, thinking that losing them in the car lot and hotel district was best for starters. It was unnecessary. They couldn’t catch me. But I’m glad they don’t know what I drive. When I realized they might come after me in cars, I ran straight for mine and didn’t look back.

That was five and half months ago. And I’ve been everywhere. Knoxville. Little Rock. Shreveport. Vicksburg. OK, well, not everywhere. I’ve used most of the rest of my school money. I keep moving. Word is out now. No more of those diners, that’s for sure. I’m entrenched in a donut shop with today’s paper and a notebook. I’m writing it all down, in case…

They’re here, too. Same ad, different town. The Personals:

Chomsky. You misunderstood. We want

to be friends. Don’t be afraid. Give us

a chance. Guaranteed safe conduct.

We only have eyes for you. Box 11273.

But I have hope. On page six, a report from the Associated Press. The FAA has admitted that widespread sitings by airline pilots of high-flying weather balloons ascending above the atmosphere are under investigation. On the Financial page, a major coffee label, once as much an institution as Christmas, is filing bankruptcy. In the business section, a certain 24-hour diner chain is changing the name of a menu item that has been the favorite for a quarter of a century. A spokesperson for the chain said, “We’re updating our menu with fresh language… among those items is the “Panhandle Slam”.

It may be that I’ve set in motion an extraterrestrial exodus and ruined mankind’s chances for alien contact once and for all. And maybe I won’t ever enjoy a decent cup of coffee again. But at least, some day soon, I won’t have to listen to whose cleric-rogue can beat which paladin. I think, even when it’s safe, I wont’ go back to school. I’ve learned just about all I care to learn about nonverbal communication.

Entire contents copyright  2003-2007 Asher Black.

Sixteen Lights

Asher Black - Sixteen Lights - Black Asher Series

Black Asher series #5

It seemed to Asher that his beloved’s eyes were still thoughtful. “I don’t need you.” They said. It was a kind of cool understanding between them. Seneca prowled among the chairs, along the corridors, and out along the stone wall, intent on learning the mind of butterflies, and Asher filled the dish every night, “just to supplement your diet” he would say, with a nod to her pride.

Asher Black - Sixteen Lights - Black Asher Series

Asher wasn’t repelled that her skin was now cold. Family isn’t put off my fevers or chills, by the soil of life or even the loss of it. We live with one another in the thick of life’s spasms and detritus, in the thrall of death, and we hold to one another, while we take turns swatting at the dark. These were the thoughts coming like steam and rumbling off of the back part of Asher’s mind. The front of his thoughts was a wail of agony. “I am darker than the dark,” Asher tried to say, “and you stayed with me and fought it.” But it came out sobs, and not as words at all.

That morning the stump held a flower – where normally Asher laid a bowl of milk each night. Not for Seneca, but for whatever it was that watched over the Haunt. It was as if his quiet woods guardian were saying, “I know she’s dead. I know you love her. I don’t know what happened, and I would have stopped it, if I could.” And yet, Seneca had died in her chair – her chair – the one no one else could use, because it was solely hers – and he hadn’t taken her outside until now. How could the Gruagach have known? Unless it always was just the housekeeper. But Asher knew it wasn’t. She was too in awe of it for that.

The whole place, in fact, had the cloud of loss over it. It was like Auden. What did he say? “Pack up the moon. Take down the sun. They’re not wanted now. Stop the clocks…” Asher had done just that. He’d walked over, without thinking, still almost in shock, and had turned the key and stopped the swinging of the pendulum on the grandfather clock. In his younger years, it had been a grandmother clock, and Asher, when realizing this, decided he’d been gyped by the distributor and had it re-outfitted to make it a grandfather. The complaint department didn’t seem to like the word gyped, but Asher informed them that gypsies weren’t Romani, who were ordinarily wonderful folk, but were in fact people in call centers who answered phones for corporations and then explained away defects and scams with platitudes and pretended offenses, and kept checking orders in computers, only to find the same information each time, as a pretext for repeating it. “I’ll handle it, myself,” Asher had said.

All of Asher’s real companions were male, except one. The housekeeper didn’t count that way; she had her own house. And even Seneca, though showing up on her own and being quite apparently female, if one looked, was given a name that seemed more suitable. Asher almost called her Sand, except the cat would wander off when he started reciting poetry or singing, so he’d decided she was more suited to Roman drama than french novels. None of Asher’s guests ever seemed to notice. Well, except for the one who was not a male, who immediately asked “Why?” and made Asher blush, something he would never otherwise consent to do.

Asher’s thoughts were a retrospective of life’s ordinary things, as he dug the grave. Others had offered. “My own hands,” he’d said, and they hadn’t offered anything further. They would come when he was done. They would come and stand with him, when the hole was covered over. The earth was full of worms and roots and moisture, and so Asher made it larger, large enough for a crate. He hadn’t prepared, wasn’t particularly good at preparations when things were this immediate. He moved on something like instinct. If it had been anything else – if he had his mind – he would describe it as moving on emotions – something he only did when he wrote and when he made love. But Asher wasn’t really thinking. His thoughts were all like embers flying out of a dim but crackling fire. They were the random expulsions of grief, and glowing for a moment, and gone again, as he tried to place his insides in order to account for a reality too painful to accept.

“My darling. My baby. My child.” he said aloud. The air was slightly smoky, and here and there a brown leaf fell from a tree. The edge of Autumn. The edge of a precipice. The grave. Asher let the sweat run along his hair and into his eyes. He let the air and the moisture make him cold. It was better than warmth where there was no life. And when he had finished digging, he lifted Seneca. ‘Fallen comrade’ his mind said, and he wept. He carried her to the shop he’d made in the shed out back. He laid her in a wine crate – the best one – the best wine in his life. Then he despaired of what to bury with her. ‘What would she like?’, he asked in his mind. He shook violently, and sobbed, and wept, and wailed long and loudly.

After walking along the rock wall, looking at what might make her curious, he found it. A moth that had died somehow on the stones. He took that, and some blades of grass, and then thought ‘No ball of string for you. You were always fascinated, are always fascinated, by things that are real.’ So he took a piece of the wall that had fallen, and a new fallen leaf, and gathered the flowers that grew on their own, without attention, as Seneca had, and all of these things he laid with her in the case. Then he said prayers, long and many, and sealed the lid and chiseled a cross on it gently, patiently, as quietly as he could, before carrying her to her final spot to rest.

“You were never really mine,” he said, as he smoothed over the mound. “But I was yours. I think we belonged to each other.”

There would be a headstone in a few days. Asher would hound the stone cutter until it was in place. Besides, he owed Asher more than one favor.

#

“I’m not good company, yet.” Asher said. “I know it’s been weeks. I’m just not going to be all right.”

“I’m not leaving,” said Toade.

“And if he tried to leave, I’d eat him,” said Frost.

Vyse said, “You don’t have to be all right. You’re Asher.”

At that, Toade started to laugh, sort of hesitantly, and looking at Asher to be sure it wouldn’t hurt. But Asher smiled, so Toade grinned, and that got everyone laughing.

“That’s the first time I’ve laughed without crying.” Asher stoked the fire, to keep the heat high. Always high. It was the way Asher did everything: strong, dark, hot, cold, bright, loud.

Frost watched with something like happiness. “You’ll never be over it, Asher. We don’t expect you to be. Grieve, darling. Let it have you. And we’ll stay here, so you know that we have you too.” She winked when she said it. She almost never winked, and Asher tried not to blush, looking a little nervously at Vyse and Toade. Vyse was knocking a pipe, but Toade was watching Asher’s face and grinned even wider.

“So what shall we do?” Asher made himself say. It was too much to ask that they reach for life. To ask that it not all be the black sun that hung overhead, but that somehow there be new life. He was looking at an empty chair that sat, where it always had, near the fire. He smiled at it.

“Well, I think we should go for a walk in the woods.” said Frost.

“The woods. I hadn’t thought of that.”

“The woods? Well, it’s after dark, there’s no moon, and the wind is making everything creak. I was afraid you were going to say that.” Toade leaned back, like he did when he was going to let his belly do the laughing.

“This is going to take more than a pipe,” said Vyse, clipping a cigar that appeared from a jacket that Asher knew contained enough tobacco to sponsor a prison riot.

Toade had started to laugh the slow, boisterous gotcha laugh that was his trademark.

“Well, you don’t have to go, if you’d rather stay,” Asher said. “But I think I will. The woods are full of life.”

Toade’s eyes went a little ominous. “So you’ve said.” But he rand his finger and thumb along the brim of his hat, reached for his leather coat, and began reciting one of Asher’s lesser known stories in a cartoon voice – specifically a riske piece about a girl who goes alone into the forest to find love.

Frost laughed in delight, and Asher lunged for Toade, trying to cover his mouth, but Toade threatened to stick out his tongue, so Asher relented.

To Vyse’s quizzical expression, Toade said, “We’ll have to get Asher to read it to you some time. He’s really proud of that piece. Awwww.” This got the two of them in a wrestling match, which Toade won by being willing to hump Asher’s leg until he relented. “Toooaaddddd!” he croaked.

“Well, should I leave you gentleman to work out your affections?” Frost asked. “We can go to the woods another night.” The comment was categorically ignored, in favor of choosing the most interesting walking sticks near the door. Vyse decided he would go if, for no other reason, there was a straight, silver-tipped black cane that he wouldn’t otherwise have a reason to borrow.

#

“I could swear that’s him,” Asher exlaimed, trying to keep his voice low. “He just moves the same.”

“He’s probably a wild stray.” Toade said.

“She,” Frost reminded.

Asher wanted to turn and say, ‘You know very well that there’s only one woman that can live here.’ but he didn’t verbally acknowledge that even to Frost. She knew, of course, but that didn’t mean he was going to verbally acknowledge it. Not unless she won this confession fair and square in one of their witty arguments. ‘You have to take it. I’m not giving it up freely.’ he thought. What he said was, “If you say so.” knowing he would get out of it for now.

Vyse had never actually lit the cigar, but he kept it in his mouth anyway, waiting for someone to make up their mind.

“I’m going after her.” Asher said.

Frost chuckled delightedly.

“Him, dammit. I mean him.” And Asher’s intention, once an intention, was always a movement. He was already brushing aside limbs and moving like a rolling boulder down the hint of a path that probably wasn’t really a path in the sense of normal foot travel, but was just the route the rainwater had tended to take for a few seasons.

Vyse cursed, and said something about more wine. Toade seemed bent on keeping Asher in sight, but was also independently thrilled at the prospect of a game-like hunt. Frost, Asher knew, would find her own way and most likely be ahead of them shortly, with fewer scratches.

But after a few minutes, it was clear they weren’t following anything that was staying around to be followed, and despite having come through one valley and up out of another, they were not walking through the woods, but crashing through it. Not Asher’s usual style, certainly not Vyse’s, and even Toade was pretty sure there was no longer any object in running up the next hill.

Frost sat on a stone shelf a little ways above them, swinging her legs and looking at her unmarked knees, as thought they were bare (they weren’t) and she were a schoolgirl who had simply paused on her walk toward home.

“Well, do we go for our walk, or go back? I’m up for either.” Asher said.

Toade was about to speak when Vyse said, “Ask them.”

Eyes. And he meant “them” not because there were a pair, but many pairs.

Toade stiffened. They’d caught up with something after all. Or been lured by something. Several somethings.

Asher knew Toade was choosing to be motionless rather than get a full view. He didn’t know how he knew. He just knew. “Be still,” Asher said.

“How many are there?” asked Toade.

“What is cardinal, composite, and square,” asked Vyse?

“What?” Asher said, almost annoyed. “Still. Let me concentrate.”

“Sixteen,” Frost whispered. “He means sixteen. Eyes, not … ”

“They’re cats.” said Asher in a firm, loud voice. It was the kind of commanding, somewhat defiant voice he used after sizing up a possible opponent.

“Maybe the cat’s revenge on curiosity,” said Vyse.

“Cats eat toads,” said Toade.

“Just cats,” said Frost. “Hello brothers.”

“Sisters,” whispered Asher. He wasn’t going to miss a beat struggling with Frost. “Leave them be,” he said in the same voice as before. “They’re just cats, and we’re probably scaring the hell out of them.” Of course, he wasn’t ordering anyone around, and no one took it that way. But it suddenly made him feel a little self-conscious. “Weird, isn’t it?” he said in his normal voice.

“Creepy,” Toade said in the cartoon voice. Then he went one better and laughed his best eerie, ghoul-laugh.

Frost laughed.

Vyse said, “I’m glad everyone’s enjoying it. It’s so much better than walking down the ROAD.”

Asher laughed too, but was caught short when all the little lights went out. “Now THAT is CREEPY.” He laughed again, “If I were laughed at, I’d do the same thing, just for effect.”

They waited another moment. “Well, show’s over, it seems,” Vyse said. “Last one back to the Haunt gets to herd the little buggers.”

But they didn’t run, and they weren’t really afraid of anything. It was just what Toade and Asher had said it was. Creepy.

Frost was there first, again. She was standing by Seneca’s grave marker. The grave was undisturbed. “In case anyone was expecting the obvious,” she said.

Asher shook a little, and held himself, as the other stood solemnly by. “I’ll be with you forever,” he said. “No goodbyes, no matter what people may think.”

He didn’t mean his friends, but still Vyse said, “As long as there is anything.” and Toade added, “Amen.”

Frost didn’t speak. Asher knew already, and she knew, that they were of like mind when it came to living creatures. “They think, they feel, they want, they get lonely, they get depressed.” she had once said. “If that’s not a soul, then I don’t have a soul either.” Or maybe Asher had added that last part. He wasn’t sure.

“You know,” Vyse said, as they walked back toward the Haunt. “I’m already nuts. UFOs. The Kennedy Assassination. That’s small time, with me. So ghost cats? Well, it’ll just make for an excellent entry in the Cryptozoological Journal.”

“Watch it,” Asher said, “They take a dim view of comparing Bigfoots and Yetis to spirits from beyond.”

“Oh, there’s a small contingent.” said Vyse, smiling. “And you’re a writer, so your willing to stretch the ah… imagination too, sometimes.”

“So true.” said Asher.

Toede began reciting another passage from the embarrasing erotic coming of age tale Asher had once penned, but was caught up short by something on the back step. “Toad,” he said, “out of curiosity, rather than mischief.”

“Looks like someone has toaded us,” said Asher. There were eight bowls of milk on the step. Asher looked over at the stump, and he knew, without checking, that the bowl there was also full of milk. “My housekeeper.” But he also saw that there were flowers all around the bowl. And he knew, without counting them, there would be eight, and that the housekeeper hadn’t contributed that part of things.

“Keeping house a little late, I’d say,” Frost pronounced.

“No,” Asher responded thoughtfully. “She a house keeper. She keeps my house. Dusting it out once in a while, well, that’s probably just to give the fairies a chance to make more. She keeps my house from and for all kinds of things, it seems. Thank goodness. I wouldn’t know what to do with them all.”

“Haunt.” said Toade. “It’s Asher’s Haunt. A house just doesn’t explain it.”

“Oh, it’s a house of the oldest and best kind,” said Frost.

“I’ll have to talk to my housekeeper in the morning. She’ll fill me in on whether we’ve got a litter of ghost kittens, or whether Seneca’s living all eight of her other lives at once.”

“Where better?” asked Frost. “You’re a daddy again.”

“I’ll get you.”

“Huh?” asked Toede. Vyse just eyed Asher curiously.

“Oh. You know what I mean.” Asher answered.

Toede began to recite key turns of phrase from the more illicit parts of Asher’s embarrasing tale, dancing off, around the front of the house.

“Toad.” said Vyse, and smiled around a newly ignited cigar.

Frost smiled seductively.

“Indeed,” said Asher.

#

Asher wrote in large strokes. Normally, he’d use his little notebook computer, and write in front of the fire, but something about writing by hand seemed more appropriate to his mood. It was something older, more visceral. Keyboards have bold, italic, underline – but they don’t have the infinite variety that handwriting can convey, from the size and sweep of the letters, writ large and slowly, like a waltz, conveying his devotion and solemnity, to the dark, frenetic, almost madness of accomplishment his hand-scrawled notes displayed, when he could find them.

The housekeeper had come and gone. His friends and guest of the Haunt had taken their always temporary leaves, and all at once, to attend to matters that needed doing. Even Toede had gone back to his high-rise in the city, and he really only left for long stretches now and then, because too much proximity tends to make people grumpy if there’s not a break. They couldn’t live with him forever, could they?

“Well, some of us can.” said Frost.

“I wasn’t leaving you out.” said Asher.

“No. There’s the world, there’s your friends, who live a little out of sync with it, and then there’s me. I’m a friend, but…”

“Exactly,” said Asher. They had the same conversation many times, exchanging parts.

“What are you writing?”

“You’ll see when I’m ready.”

“I can look over your shoulder, easily enough, if I want.”

Asher grinned. Yes, but then I’ll be too…

“Messed up…”

“Creeped out!”

“Shaken to the bone?”

“Mur fl ug”

“I win.”

Asher grinned. “This time.”

“Finish your writing. I want you to read it to me soon.”

Asher sighed. He knew he wouldn’t be getting out of it. Not sure he wanted to, but it was just so… anyway.

#

The way we know we’re alive is that we feel things, and our bodies follow suit. Our hearts race, our lungs pump faster, our eyes well up. We know we’re alive, because who we are, and what we do is connected. And if we could verify this, as though it needed any other verification, it would be by our interactions with one another. It’s not only that I become sad, or you become delighted. It’s that I make you sad, or I make you delighted. And you do the same to me. And we know, we recognize in one another… life. Something shared. Something essential. It might be that it’s hard to see, when we look at our differences. You are a woman, and I’m a man. You’re there, and I’m here, and the distance is immense. Even if you and I aren’t the same species… don’t we make each other feel, and don’t those feelings make our bodies respond? Doesn’t it mean we live, that we recognize the capacity to deeply affect one another? Even plants can affect us – who hasn’t, lying on his back, stard up into a tall oak, and felt… lifted. Even inanimate objects? Who hasn’t stared into the field of stars, and known some measure of hope and curiosity. If a team of experts were standing by, with sophisticated instruments, they could tell me what I already know – that it makes me feel a certain way, and that my body is responding. Even beyond the grave, we know there is life. And how do we know? Because you’re gone, and yet… you still affect me. You still have power over me. And it’s reasonable then, to suppose, that I still affect you. And so, I talk to the dead. And I listen. I sing to my animals, the ones people call “pets”, and I let them penetrate the part of me that’s I leave open, so they can make me feel… human. I’m more of a person, because of them. And sometimes, if I seem to talk to thin air, any rational observer, if he had reasoned through all of this, would assume that I could be talking to anything and everything, and that this is much more likely than that I’m talking to nothing.

And so, sometimes people ask the writer of ghost stories if he believes in ghosts. How can I answer this? What is a ghost? Is it what some “believers” say it is – the residual signals of some life that lingers until disspipated by time? The trapped and disembodied soul, heartbroken and anguished, until some temporal concern is set right? No, I don’t believe in ghosts. Not if that’s what they are. I believe in things much more fully animated than ghosts, and much more full of life. I know, I know the skeptics would say that these are just the remains of my own affections – another way of saying it’s sentiment. But if these things that cause my feelings to be what they are, happy, sad, joyful, and bereaved all at once – so that I sometimes stumble for the pain, and sometimes laugh uncontrollably for the ecstasy – if these are “dead”, then isn’t a part of me just as dead? If so, then I’m the ghost. And so yes, then I believe in ghosts. I believe in ghouls, and creepies, and hauntings, and I so want to go on being haunted across the void. The best ghost stories are true stories, and the truest stories don’t necessarily contain all the details of our lives, but they contain the truths, which can be expressed sometimes more loudly in other details. I’m also sometimes asked if my stories are true? I never really understand that question. As opposed to what? I can’t see the point in writing lies. All my stories are true stories. I don’t pretend they’re necessarily very good. My only claim is that, if you can hear me, I’m telling you the truth.

So now, let me tell you a story of a time my friends and I took a walk in the woods . . .


Asher Black has been in stasis for a long journey, and has recently been awakened. To those who were discouraged by the lengthy pause in his writing and presence, he offers not apologies, nor even much of an explanation. Instead, he shows up with what those who wanted him have asked for. More work. Submitted for your approval, as Rod Serling likes to say. The other Black Asher stories can be read in the MYTHOLOG serial archives. MYTHOLOG is a quarterly literary publication of which Asher was the chief editor for five years. Some readers claim that Black Asher is an alter ego of Asher Black. Others say it’s an entirely different person. Some say it’s the same person, different circumstnance. And most just say it’s a fictional character. Asher has been stoic and silent about all these claims, saying only that he prefers to let the writing be what it is, whatever the audience may say about it. That’s Asher all right.

Entire Contents Copyright Asher Black, 2009. All Rights Reserved.

Prescience

by Asher Black 11-25-06

I can’t get over the feeling that you manipulate. Everything you do – you’ve said it yourself – is with the awareness of more than one possible outcome, and you choose what you do and say accordingly.

And that’s a flaw? Is it wrong for my mind to be so quick, to see so many possible results of variant choices? And is it wrong then for me to make a choice at all, given what I’ve seen? Do you think I can just turn it off?

You say that, but it still feels like manipulation. Like you’re trying to get someone to do something. It’s a form of control.

We all want something from each other. Be honest. We do. We all think about the effects of what we do and say on other people. After all, you excel at it. You are the ultimate diplomat. And you even criticize me for not being as diplomatic, but then you’ve learned that while I may see one course of action as a way to avoid conflict, I may choose another, because I value something else more highly than simply avoiding conflict. Our argument has been not over whether to consider our effect on others, but what that effect should be.

See, even now, it feels like you’re trying to manipulate me – into seeing things your way. I can feel you subtly winning the argument. And you’re right. You have logic on your side. But something still feels wrong about it.

Wrong, or just alien?

See?

Yes. I’m trying. I honestly can’t do anything about being alien to you, to what you’ve come to expect. And I shouldn’t have to. *That* is being manipulated, after all, bowing to expectations, because you find the part of me that doesn’t uncomfortable.

All right, maybe I’m a hypocrite. I just find the way you manipulate… uncomfortable.

Yes. We’ve established that. Look… I’m going to tell you something, and you can choose to believe me or not.

Go ahead.

I’m a prescient.

What?

Sometimes… I can see into the future.

Oh come on. You’re taking this stuff a little too seriously…

I do take it seriously. Because it’s both a survival mechanism and a somewhat costly one. But it’s nonetheless true, for being serious.

I don’t believe you can see the future.

I didn’t say that. I didn’t say I could see the future. I said that sometimes I can see *into the future. It’s not infallible, and it’s often not controllable, and I don’t usually choose when it happens.

I’m sorry. I just don’t believe you.

I don’t care.

So prove it. Show me what’s going to happen.

I told you, I can’t do that. And I’m not going to try to prove it to you – I don’t do readings. Sometimes I can see into the future the way people ordinarily see the past, or a dream, or art, or something present. In fact, I don’t even get to determine how I see. It’s just a matter of being open. Uniquely open. And at the same time, perhaps, closed to some things. I don’t judge the images that come into my head, or the sounds, or what have you. You know, it’s part of what I do as a writer, that I take it all, and I let it wash over me. If I judge it, I can’t write. And of course, then I can’t see. I think it’s because I do the one thing that the other happens.

All right. Well, if I can’t see it, I can’t believe it.

And if you believed it, would I be *excused then, for seeing? Or would you find me even more dangerous – even more manipulative.

I don’t know. On something like that… if I could see it, I suppose I’d rethink things.

All I can do is share it with you as it happens, but I don’t know if you’ll see it the same way. I mean, like I say, I see into it like I see other things. I don’t know it’s the future at the time. It’s just part of what feeds my senses. I can’t tell you, “I predict such and such.” If you wanted to see it, you’d have to be aware of what I was thinking a good deal of the time. You’d have to be in conversation with me. Even then… even then, you might not.

See, this feels like manipulation. If I don’t remain your friend, more or less. If I don’t remain open to you, I won’t be able to see it. And even then, I might not. You’re just trying to keep me in a place where you can manipulate me more.

Well, if you begin with distrust, you’ll never really know either way, of course. And yes, that means that you’d have to let go and trust me, believe me at least tentatively, and be open to me, in order to know and find out. There are some things that you can’t know, except from within them – sometimes objectivity means going into something and knowing it from within, having let go of your other ground. Not doing that means incomprehension, in some things. So yeah, it’s a risk. Only you can decide whether the risk is worth the possibility that you’ve been wrong – or if it’s better to believe something that’s possibly wrong, without being able to be certain. Call it manipulation, but then I’m not manipulating you. It’s just the order of things.

I’ll give it thought.

All right. Meanwhile, and *alert, *alert, this could be an attempt to connect with you. Be warned. Do you want to go to Borders and get a cup of coffee?

Yeah. All right.

[Walking to the car, he sings under his breath the opening lines of a Tori Amos song, "Every finger in the room, is pointing at me…"]

You and your Lilith Fair music.

Yeah. I’m a male lesbian. What can I say?

[On keying the ignition, the radio does a station id and then cues up the same song.]

No fucking way. Don’t even try to say you knew.

I didn’t know. That’s what I’ve been saying. It washes over me like a mood, or an attitude, or a wave of images, or a picture or song. Anything. And those things contribute to what I say and do. I don’t know it’s the future. I suspect it often becomes the future *because I go with it. I’m not scientific about it; it’s not a science.

Yeah, I’d sooner believe you paid the radio station.

And I knew the exact moment we’d get in the car and you’d turn the key?

Don’t try to milk a coincidence. That’ll make me doubt you more than anything.

Perhaps it *is a coincidence. How would I know? But how many coincidences does it take to make a pattern?

Three. We always agreed on that.

Three it is then. But you see what I mean – you only know it by being in my life. I can’t help that.

Well how long am I supposed to give it? If it’s indefinite, then we’re just waiting for a third coincidence.

True. And it may be like that. I can’t promise anything. If I could, I’d tell fortunes. All I can say is you’ll have to decide for you.

All right. I’ll think about it.

You’re aware, of course, that I find the whole thing rather insulting. I mean, if you were anyone else, I’d have simply smiled and been *nice. Diplomatic but emotionally unavailable. The idea of remaining open to you while you *decide if I’m real, is a bit degrading. But I do it because you are my son, my brother, and my friend. But after this, if you don’t trust who I am, that it’s me, that I can’t really be second-guessed, I won’t try again. I’ll go on anyway.

OK. I wouldn’t try again, either. But let me ask you this, can you see where this is going? Do you have a feeling about it?

Yes. I don’t know of course. I could be wrong. But the song says it’s not going to work out.

Magnificat

by Asher Black

your hands outstretched
concrete
hooded
mother

where is your face
distorted with rage

a knife to my neck
my head forced down in the tub

is there not once that you held me
other than mock murder

I remember
only wire monkeys

poised paralyzed in stone
defenseless as statues

Mother Church praises motherhood
so I will call you Mary

in that name there is no pain
but the loss of a son

This was written
September 06, 2004

In a Jar / In Her Bed

by Asher Black

She couldn’t have plucked out my heart with a forceps,
sectioned it with a razor,
and filed it with her specimens,
unless she had reduced it to something tangible
in the first place.

This was written
August 06, 2004

Pipe Smoking Guide

A picture of my calabash pipe.
Image via Wikipedia

How to “Put that in your Pipe and Smoke It”

(without any unfortunate mishap)

by Asher Black

There are many excellent articles on why one should prefer a pipe to other forms of tobacco use, and even on why one should favor tobacco use at all. Tobacco and the Soul is a great article, and one can refer to www.pipes.org for any number of helpful articles.

Legal issues being what they are these days, I’d prefer to tell how rather than why. Having been accosted by many individuals who obviously saw me enjoying myself, who perhaps saw me a bit healthier than a cigarette smoker or snuff dipper, and who noted the possible relationship between my pipe and the deep thoughts I was having, or the inestimable benefit to the concentration I was affording a book, and having been asked about how exactly to get started in this fine art, I decided to write this article.

Disclaimer: the author is not a health professional, and this is not healthy advice. If you do the things described here, your head may exploded and you may die. You might go insane. You might become a danger to yourself and others. I recommend that you don’t do any of the things here, and this piece is provided for literary purposes only.

Selecting and Keeping Pipe Tobacco

Consider beginning with a Black Cavendish rather than lighter blends, as it tends to burn cooly – so is less likely to ruin the pipe in the wrong hands, smokes without “bite” – the after-smoking sensation of a burnt tongue or roof of the mouth, and be more aromatic. It is also easy to pack and doesn’t require “rubbing” of the tobacco before loading the pipe.

Steer away at first from Burley blends and exotic blends with Latakia or Perique which are acquired tastes and have more bite.

Steer away from grocery store flavoured blends (Cherry Cavendish, Vanilla Cavendish, etc.) as these are usually made with poor quality tobacco, burn hotter, bite, don’t taste and smell as advertised, and are an unsatisfying smoke. Besides this, the heavy aromatic component produced by soaking the tobacco in some kind of confectionary flavoring is not only not particularly good for briar, but is a poor substitute for the smoker finding a quality blend that he truly enjoys. Cheap aromatics are to quality blends what pop wines with screw caps are to a fine wine.

If one is on a budget, there is no finer discount tobacco than MacKeensy’s Black Cavendish. The old standard, however, is the original Captain Black in the white pounch, which isn’t necessarily cheaper everywhere one goes, but is often sold in small quantities.

Eventually, as one becomes experienced with all the aspects of pipe-smoking, one should experiment with different kinds of tobacco, both for the various cuts (which pack, light, and smoke differently, and in some cases must be prepared by rubbing before they are used) and for the many interesting various varieties of the tobacco. One may eventually find that one likes a blend containing the spicy Latakia or the pungent Perique. Dunhill 967 is a nice blend containing Latakia and can sometimes be purchased by the ounce from the tobacconist’s jars. One may also find that alternation between favorite blends is satisfying, or that one prefers a different blend for a morning pipe than for a nightcap. Certain styles and sizes of pipes are also more suited to certain types of tobacco than to others.

Store tobacco in a humidor. That is a sealed cannister. One can purchase these especially for tobacco, but one can also use a resealable cannister. Walmart stocks some very fine yet inexpensive cannisters in acrylic or brushed stainless steel which are excellent for this purpose. Throw a slice of apple into the cannister to maintain proper moisture. Do not use other kinds of fruit. For portability, a vinyl-lined leather or vinyl tobacco pouch can be had cheaply from a drug store that stocks pipe supplies. Quality and price very greatly. This writer has managed to obtain large leather pouches from $3.50 to five dollars, and has seen tiny vinyl ones for twice that price. A marachino cherry or small apple slice can be used to preserve moisture in these. Of course Captain Black (of which the white pouch is this writer’s preference) comes in a plastic disposable pouch which is adequate for small quantities.

Selecting a Pipe

Beginners should not start with the cheapest available pipes simply to minimize economic risk. A cheap pipe yields a cheap experience. On the other hand, there is no need at all to invest in the elite brands. There are outstanding pipes made by reputable manufacturers from excellent materials that cost between twenty and thirty-five dollars new. Beginning with a corncob pipe or the cheapest “basket pipe” from a tobacconist is a bad idea if one is serious about giving it the college try. On the other hand, General Douglas MacArthur smoked a specially-designed corn cob, so this writer could be wrong. Aesthetics, too, is a very important consideration.

Most manufacturers of high-grade pipes produce “seconds” – pipes that contain a minor flaw, often related simply to the finish or the grain, and so are given a different name than their finest works of craftsmanship. These can be had very cheaply – often for the same price as a mass-produced drugstore pipe like Grabow, Medico, or Kaywoodie. Peterson’s, for instance, produces “Irish Seconds”, “Shamrock”, and other delightful pipes that yield the kind of smoke only available from quality materials and workmanship.

Even Dr. Grabow makes decent smoking pipes for ten to twenty dollars that, once properly broken in, can yield a reasonably satisfying smoke. Look for an exceptional pipe from the ordinary lots available at various drugstores and discount stores (such as Walmart). Grabow’s “Grand Duke” model, “Bucko”, and “Freehand” can be quite good smoking pipes. Kaywoodie also sometimes produces some very nice pipes, some of which are beautifully crafted. This writer personally prefers to stay away from Medico and Yellow-bowl, never having found a satisfying example of any of their various models. Perhaps there are some superior pipes among them, however.

Stay away from novelty pipes and specialized models. These are either the mark of a confirmed pipe smoker with specialized knowledge and tastes or of a diletante who has wasted his money. Painted models are generally a bad idea, since briar is porous and is meant to breathe. Metal, lidded, leather-wrapped, and cherrywood models tend to have heat, breathing, and/or moisture problems. Clay “meershum” pipes have to be handled, smoked, and maintenanced in a special way to avoid discoloration and damage. Gourd “calabash” pipes and long-stemmed “churchwarden” pipes are easily broken, so they’re considered ‘stay-at-home’ pipes. In general, outlandish pipes should be avoided until one’s knowledge of pipes and experience in smoking is sufficiently large. Start with good briar. A slight drop is recommended on the stem, until the smoker discovers whether salivation interferes with smoking, which can be a factor with straight pipes and ninety-degree drops. Personally, I prefer a military bit as well, since it seems less easy to damage.

Don’t avoid “used” estate pipes in good serviceable condition. Properly broken-in pipes make excellent heirlooms and can last several lifetimes. The briar cures and improves with age, and so does the smoking experience. Never destroy the “cake” inside a pipe. If it is too thick, have it professionally reamed at the local tobacconist, and perhaps re-waxed with canuba wax and buffed. The cake in an estate pipe is one of it’s fine advantages. Grabow pipes have pre-carbonized “pre-smoked” or “machine-smoked” bowls for precisely this reason. Consider a well-maintained estate pipe – if it is of good make – over a new drugstore pipe.

Packing a Pipe

Pack the bowl in three layers: Fill the bowl lightly to the top, then pack with very light pressure to about the first third of the bowl. Fill the bowl again to the top, then pack with only moderate pressure to about the two thirds level. Fill the bowl again a little above the rim, and pack somewhat firmly to level with the bowl.

Packing the bowl incorrectly will result either in a fast burning, very hot bowl (which is very bad for the briar and hard on the fingers), in the case of too light a pack, or else a bowl that is difficult to keep lit, requires a lot of puffing and constant drawing, and does not smoke itself as a properly packed, lit, and smoked pipe should.

Lighting a Pipe

Wooden Strike-Anywhere Matches are the best thing for a pipe because they yield the most control. Never use a turbo-lighter which will destroy the briar. A disposable lighter or pipe lighter is also OK.

Begin lighting around the inside of the bowl, while puffing. After the sides are lit, light the center.

Keeping a pipe lit isn’t easy for beginners, however by being mindful of proper packing, lighting, and smoking technique, one can soon become an old hand.

Smoking a Pipe

Smoking a pipe is not like smoking cigarettes. One does not draw constantly on a pipe, much less suck on it, and certainly one does not draw with great suction and repel the smoke in a forced manner. The bit has a lip that is gripped behind the teeth, and purses the lips to create a minimal suction on the stem. The pipe smokes itself. Smoke fills the mouth, is not inhaled, and circulates in the mouth to be absorbed by the various surfaces of the mouth’s interior. As this occurs, the lips are occasionally parted ever so slightly to allow excess smoke to escape. Occasionally one takes a long but gentle draw from the pipe, which is not only satisfying but helps keep the tobacco burning. Pure tobacco, incidentally, does not burn by itself, which is why cigarettes that do so contain accelerants, and that is also one reason that pipe tobacco, which should not contain any such thing, must be smoked differently. Unlike cigarettes, the pipe should remain in the closed mouth, and be removed only occasionally during smoking. This is both because of the nature of delivery of the tar and nicotene through absorption into the bloodstream by continual contact with the surfaces of the mouth, as opposed to inhalation or contact with the nasal septum, and also because of the means of keeping the pipe lit through minimal suction as opposed to the hot-burning method of repeatedly powerful instances of suction.

Smoking a pipe is not a hurried or frantic art yielding instant but mediocre gratification. It is a slow, gentle art requiring a sense of delayed but superior gratification. Cigarettes are to pipes what fast food is to a seven course gourmet meal with pauses for reflection and conversation in between the various courses. Pipe tobacco is savoured rather than devoured. It takes time and patience to become accustomed to pipe smoking.

A properly maintenanced, packed, lit, and smoked pipe of good quality with an appropriate tobacco will yield a satisfying smoke, neither too dry nor too moist, neither foul nor tasteless, down to a small residue of powdery white ash remaining in the bottom of the bowl. Anything less reflect either simple inexperience or else improper use.

One must learn over time to control salivation in pipe smoking, since the taste buds are stimulated to such a superior degree. Too much salivation will allow too much moisture to descend through the stem into the shank and the bowl, and this will produce gurgling, clogs with “dottle” (the mixture of moisture and tobacco remainder), and unpleasant taste. It is also not very good for the pipe since moisture is the enemy of briar.

Outdoor smoking: Never smoke in the wind, as this flows through the porous briar and causes the pipe to smoke too hotly, which can ruin the briar, for instance by creating “hot spots” which can blow out or crack.

Breaking in a new pipe: During the first month or so, when breaking in a new pipe, smoke it only occasionally, not heavily, alternating with another pipe, and not at all outdoors or in any kind of breeze since building a good cake is vital and one must during this time avoid creating hotspots or burning the briar itself. Pack it only 2/3 full until the cake is well started. To accelerate the caking process on a new pipe, one may smear the inside of the bowl once only with a very light coating of pure honey; The initial smoke will be a little too moist, but will be well on its way. A pipe will not yield the fullness of its possible taste or satisfaction until the briar is properly protected with a porous layer of carbon. Even pre-carbonized bowls on drugstore pipes need a genuine cake built up over time. Do not knock the pipe on any surface, except a soft cork knocker designed for that purpose, or dig out the caking tobacco residue. To remove the ash, invert the bowl and tap it firmly with the palm of the hand. To remove the dottle and moisture, follow proper maintenance techniques described on this site. Begin with two or three pipes of decent, good, or excellent quality, so as to be able to alternate and let the briar rest, which is all important during the breaking-in period. Don’t underestimate the need for properly breaking-in a new pipe, as this will make the difference between a pipe that lasts a lifetime and smokes well, and one that lasts a few weeks and ends up tasting sour or foul. For the same reasons, be sure to store and maintenance the pipe properly as described elsewhere on this site.

Pipe Maintenance

Pipe cleaners and solutions and other supplies: Straight pipe cleaners, usually those made by Dill, can be purchased at drugstores or Walmart. However, tobacconists stock tapered pipe cleaners which do a far more thorough and efficient job of cleaning the stem and provide more surface for cleaning the bowl. One should avoid ordinary hobby “pipe cleaners” which have too much wire, are too bristly, and are sometimes made from synthetic substances rather than cotton. These are likely to damage the cake and scratch or damage the briar and the stem. The best pipe cleaners are pure cotton with a little bit of invisible wire. Brandy or vodka are used both to clean and sweeten the pipe and are far superior to cheap drugstore “pipe sweetener” solutions, which may or may not sweeten the pipe at all. For portability, this writer carries small makeup bottles, available cheaply at Walmart – one containing brandy or vodka, the other containing olive oil. Olive oil is used to polish the stem, since it very easily removes oxidization which quickly becomes visible on black stems. Other vegetable oils seem to have no such effect. A pipe case is OK so long as pipes are not stored in it for long periods – pipes need to be stored according to the method described elsewhere on this site.

Cleaning the stem: First, never remove a stem from the shank while the pipe is the least bit warm, since this will soon cause the stem not to fit properly. After a smoke, allow the pipe to cool for about an hour and a half at least. Then, grasping the part closest to the shank so as not to break it off in the shank, carefully but firmly twist out the stem. Some stems are threaded and must be unscrewed, others pull out by twisting. Dip a pipe cleaner in the brandy or vodka, insert the narrow end of it into the stem at the bit (the part that goes into one’s mouth), and little-by-little, holding the pipe cleaner at the bit, run it all the way through the stem. When enough of it appear through the shank end of the stem, pull it through from that end. The pipe cleaner is meant to go through the stem in one direction. Do not back up with it since the idea is for it to bring out any dottle, ash, moisture, or tobacco in the stem. If the stem has not been maintenanced consistently, it may be necessary to repeat this action with a new pipe cleaner until it comes out white. Finally, run a clean dry pipe cleaner through the stem, which should come out white and can be saved for use on another pipe or again on the same pipe. To remove the brownish or tan oxidization that builds up around the bit, smear a clean cloth or napkin with pure olive oil (other vegetable oils will not work), and polish the outside of the stem. The oxidization will come off easily. Then dry it with a dry edge of the cloth.

Cleaning the shank: Run one or other end of a pipe cleaner (one may use the clean end of the same pipe cleaner that was first used on the stem) through the shank into the bowl. Clean any dottle, ash, moisture, or tobacco out of the shank. One may use a little of the brandy or vodka if one is careful not to get any on the outside of the pipe (that will remove the protective canuba wax and eventually damage the finish).

Cleaning the bowl: Use the fat end of a pipe cleaner, or one may bend in half the same pipe cleaner one used on the stem and shank. Gently rub the inside of the bowl with the pipe cleaner to remove any dottle, ash, moisture, or tobacco from the bowl. Too vigorous an action may damage the cake or prevent one from building a cake on a new pipe. Vodka or brandy may be used here too, so long as it does not get on the outside of the bowl where it may do damage. This writer uses either Napoleon brandy or else a mixture of vodka with a very small amount of honey added to help in building the cake.

Reaming the bowl is a very occasional procedure used when the cake has become too thick. Reaming the bowl requires a certain amount of care so as not to completely remove, chip, or otherwise damage the cake. The local tobacconist can usually do it at a nominal cost, or it is customarily free if one purchased the pipe from his store. Reamers of various quality and safety (to the pipe) can be purchased from a tobacconist or a drug store that carries pipe accessories.

Waxing and buffing the briar is typically done when the bowl is reamed. Canuba wax is what is used for briar pipes.

Storing and Resting a Pipe

Briar is porous and can become clogged. Let pipes rest by alternating between pipes. Beginners should have two or three, later several, even if some are less expensive brands such as Kaywoodie or Dr. Grabow. Don’t simply refill and smoke a warm pipe or smoke the same pipe again and again in one sitting.

Properly maintenance and then properly store pipes after use. Store in an upright position – bowl down and stem up – in a rack. Don’t leave them in the sunlight or an enclosed case. Pipes need to be stored so that moisture from smoking will evaporate, and so the briar will be protected from souring.

Conclusion

That should clarify the basics. The rest is art and enjoyment. Perhaps a later article will be forthcoming on pipe culture, on enjoying the pipe, and so on. In the meanwhile, I leave the reader with one last piece of advice: Walk softly and carry a big pipe.

How to Eat A Grape

by Asher Black

Put the whole grape in your mouth,
piercing the skin ever so slightly with an incisor.
Roll it by sucking at it some,
opening it just a little.
Then, put your tongue in,
rubbing all around the sweet pulpy inside,
drinking down the tart juices,
pressing down with the roof of your mouth,
pressing up with your tongue,
until the soft flesh is flat between them
and, at last, is almost dry.
Then, munch relaxedly on what is left.
Now try it lying on your back.

This was written
February 10, 2002

Definition of a Friend

A friend knows…

your most heartfelt love

your darkest fear

your greatest ambition

your hardest pain

your highest hope

your deepest desire

your strongest conviction

You

by Asher Black

You can never be my friend,
because you can never
let the past go,
Only hold fragments
of my childhood,
Only see your square slots
assaulting my round pegs,
But I am more,
and I know it.

This was written
November 10, 1994

Writing the Blood

by Asher Black

work
and bleed
and write with the blood
but that won’t stop the bleeding
and that won’t make me happy
and yet I too can’t stop
until The End

This was written
January 8, 2002

War

by Asher Black

We are a race of murderers.
And it’s my race.
It’s my face behind the guns.

Still Full of Stars

by Asher Black

Still Full of Stars

You chose them over me
But it was never either/or

If human sacrifice is right
Then nothing matters

Not promises
Not honor

You tell me to go with God.
Can there be a God who demands that?

You didn’t consult me
You just pushed me over

I love you for your mind, you said.
But one mind was better than two

And you want me to go quietly
With nothing drastic

Can’t I love you enough to die?

You’re killing me
You don’t have to

But you won’t listen
You have to go, you say

And your words become careful

I’m a friend
You don’t say that you’re a friend

You love me “as” and “as”
You’ve forgotten that you love me forever

You speak of a door closing
You have to close it

You let me in to a castle for one
And you can’t tell the one door from the other

You ask me to trust you
But you won’t trust me

Either you think I’m not the one
Or you’re willing to do this to him too

You prayed “please never leave”
Again and again you entreated me

And I swore and will not repent
And it is you who have left

You said we consume each other
And now I am spit out

You say you carry me inside
But what about this hell outside

You’ve left me out here

You said you searched for me all your life
And now you won’t for a moment consider

This voice crying out to you
There is another way

You push, and I fall
And here I am, mangled

And the abyss is full of stars, yes
It is still full of stars